| 000 | 01550cam a2200277 4500500 | ||
|---|---|---|---|
| 005 | 20250125131328.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aBrousselle, André _eauthor |
| 700 | 1 | 0 |
_a Tabery, Vanda _eauthor |
| 245 | 0 | 0 | _aEntre sexe et genre, la voie de l'opéra |
| 260 | _c2014. | ||
| 500 | _a73 | ||
| 520 | _aLa question de la différenciation des sexes clive les théories du sexe et celles du genre. On la retrouve à propos des castrats de l’opéra baroque qui suscitent soit déni, soit « délire » de la castration féminine. Entre ces extrêmes, la voix transporte avec bonheur, entre masculin et féminin, et peut aussi exprimer l’énigmatique. | ||
| 520 | _aBetween Sex and Gender - Opera’s Perspective The question of the difference between the sexes lies at the watershed between theories relating to sex and those relating to gender. Nowhere is this question more relevant than in relation to the castrati roles of Baroque opera, which trigger in turn either denial or the ‘fantasy’ of female castration. Between these two extremes, between male and female, these roles blissfully delight us with their enigmatic charm. | ||
| 690 | _aGenre | ||
| 690 | _aDifférence des sexes | ||
| 690 | _aVoix | ||
| 690 | _aDéni | ||
| 690 | _aDifference between the sexes | ||
| 690 | _aVoice | ||
| 690 | _aDenial | ||
| 690 | _aGender | ||
| 786 | 0 | _nTopique | 128 | 3 | 2014-09-09 | p. 19-33 | 0040-9375 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/revue-topique-2014-3-page-19?lang=fr&redirect-ssocas=7080 |
| 999 |
_c991283 _d991283 |
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