Partitions ordinaires (notice n° 1007496)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01649cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125135757.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Perrenoud, Marc |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Partitions ordinaires |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2004.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 50 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Résumé Acteurs institutionnels et universitaires manipulent en permanence des typolo~gies considérées comme allant de soi en matière d’art et de culture : amateurs vs profes~sionnels, savant vs populaire ou producteur vs récepteur. On essaiera de montrer com~ment l’étude des pratiques musicales dites « actuelles », en particulier à travers la figure sociale du musicos, amène à s’interroger sur la pertinence de ces « partitions ordinaires » pour non pas les récuser mais les réarranger. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Both institutional and academic actors deal everyday with typologies that seem to be obvious in the matter of art and culture : amateur vs professional, learned vs popular, producer vs reciever. This text will try to show how studying « nowadays » musical playing, specially through the social figure of the musicos, brings us to ques~tion ourselves about the pertinence of those ordinary partitions, not to reject them but to rearrange them. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | pratiques musicales |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | distinctions |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | typologies |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musicos |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | « musicos » |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musical practices |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | typologies |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | distinctions |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés | 85 | 3 | 2004-08-01 | p. 25-34 | 0765-3697 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-societes-2004-3-page-25?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-societes-2004-3-page-25?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux