Un manuscrit de Philippe le Bon et la Danse Macabré du cimetière des Saints-Innocents (notice n° 1036793)

détails MARC
000 -LEADER
fixed length control field 02583cam a2200289 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250125174127.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Wijsman, Hanno
Relator term author
245 00 - TITLE STATEMENT
Title Un manuscrit de Philippe le Bon et la Danse Macabré du cimetière des Saints-Innocents
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2021.<br/>
500 ## - GENERAL NOTE
General note 46
520 ## - SUMMARY, ETC.
Summary, etc. La reconstitution d’un manuscrit de la Librairie des ducs de Bourgogne que l’on croyait perdu permet de jeter une nouvelle lumière sur son contenu très varié, dont un témoin de la Danse Macabré. Grâce à des descriptions du xve et du xviiie siècle, les trois morceaux de ce manuscrit, aujourd’hui dispersés entre Paris et Besançon, ont pu être retrouvés. L’analyse codicologique permet d’en dater l’origine dans les années 1420–1430, soit les années au cours desquelles furent exécutés les peintures du cimetière des Saints-Innocents à Paris, alors sous domination anglo-bourguignonne. Ainsi, nous pouvons démontrer que la cour de Philippe le Bon a été encore plus importante que l’on croyait pour la genèse, la réception et la diffusion du texte de la Danse Macabré de Paris et des danses macabres en général.
520 ## - SUMMARY, ETC.
Summary, etc. The reconstruction of a manuscript from the Library of the dukes of Burgundy, which for a long time was though lost, allows us to shed a new light on its very varied contents, among which a version of the Danse Macabré. Thanks to descriptions made in the fifteenth and eighteenth centuries, the three chunks of the manuscript have been found in Paris and Besançon. The codicological analysis allows dating its coming about to the 1420s, that is to the very same years that the mural paintings of the Danse Macabré were created in the cemetery of the Saints-Innocents in Paris, then under anglo-burgundian rule. Thus, we can show that the court of Philip the Good was even more important than previously thought for the origin, the reception and the dissemination of the text of the Parisian Danse Macabré and the theme of the Dance of Death in general.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Philippe le Bon
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Danse Macabré
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element codicologie
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element cour de Bourgogne
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Librairie des ducs de Bourgogne
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element codicology
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Danse Macabré
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Dukes of Burgundy’s Library
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Burgundian court
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Philip the Good
786 0# - DATA SOURCE ENTRY
Note Le Moyen Age | CXXVII | 1 | 2021-07-08 | p. 59-80 | 0027-2841
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-le-moyen-age-2021-1-page-59?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-le-moyen-age-2021-1-page-59?lang=fr&redirect-ssocas=7080</a>

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