Le travail paradoxal du Soi dans la musique contemporaine (notice n° 1117404)
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|---|---|
| fixed length control field | 01745cam a2200253 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250413021719.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Agnel, Aimé |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Le travail paradoxal du Soi dans la musique contemporaine |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2011.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 88 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Le langage musical a subi une profonde transformation dans les années 1940 et 1950, après la découverte des chambres à gaz et de l’inhumanité de l’homme. Celui-ci n’est plus pris comme unité de mesure. Les compositeurs explorent une autre matière première et d’autres formes à partir de leur écoute nouvelle du bruit qui avait été longtemps rejeté comme une ombre. Ils l’intègrent à leurs œuvres dont le caractère composite évoque le rassemblement paradoxal des contraires dans les dessins de mandalas. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the 1940s and 1950s, after the discovery of the gas chambers and the extent of man’s inhumanity to man, musical language underwent a profound transformation, abandoning the human ear as a unit of measurement. Composers explored different raw materials and forms, derived from their new awareness of noise, long rejected as the shadow. The composite character of the works which integrate the shadow sounds suggests the paradoxical union of opposites expressed by the mandala. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Berio |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Bruit |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Écoute réduite |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Jung |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Messiaen |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Musiquesen forme de mandala |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Ombre |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Cahiers jungiens de psychanalyse | 133 | 1 | 2011-05-01 | p. 115-122 | 0984-8207 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2011-1-page-115?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-cahiers-jungiens-de-psychanalyse-2011-1-page-115?lang=fr&redirect-ssocas=7080</a> |
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