Why Should the Cinema Speak? (notice n° 192499)

détails MARC
000 -LEADER
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250112044847.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Brangé, Mireille
Relator term author
245 00 - TITLE STATEMENT
Title Why Should the Cinema Speak?
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2009.<br/>
500 ## - GENERAL NOTE
General note 74
520 ## - SUMMARY, ETC.
Summary, etc. During the progressive disappearance of the silent movies in the face of the talking pictures, the majority of the writers, people of word, take position in favour of the first one, crystallizing the idea of an ideal film essence connected to the dumbness of the images, to the eviction of the verb and to the autonomy of the cinematographic art. Beyond the reactions to this artistic turning point, we go back over the reasons of this utopian construction and its inevitable disintegration.
786 0# - DATA SOURCE ENTRY
Note Nouvelle revue d’esthétique | o 4 | 2 | 2009-12-01 | p. 97-104 | 2264-2595
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2009-2-page-97?lang=en">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2009-2-page-97?lang=en</a>

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