Videochoreomorphoses: Dancing and Music Videos in Mali (notice n° 235117)
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| fixed length control field | 01940cam a2200241 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112063734.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Djebbari, Élina |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Videochoreomorphoses: Dancing and Music Videos in Mali |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 61 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In Mali, music videos are, as elsewhere, one of the best media for the artists to get known from the public, spread by television and via Internet. Although there are various ways to add images to music performances, numerous videos put dance at the core of this promotional tool. Through the analysis of a corpus of music videos that stage diverse kinds of dance, from traditional dance to what is locally known as “danse de clip,” this essay attempts to investigate their roles as modalities through which artists and dancers affirm their place in the Malian public space, articulating an imaginary of the local with conventions shared at a global scale. By addressing the emergence of “danse de clip” as a new choreographic genre along with its specific creative logics, the notion of videochoreomorphosis is then proposed as an analytic tool to appreciate how dance is transformed by both the music video format and the audio-visual techniques. Beyond the images, the focus on the economical constraints that underlie the production of music videos and on the discourses of the dancers allows for an understanding of the tensions between professional aspirations and legitimation registers that pervade the Malian dance world. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | body |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | analysis (musical) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | experience |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | representation (visual) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | creation / creativity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | videos (music) / clips |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aesthetics |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Volume ! | 14:2 | 1 | 2018-05-04 | p. 137-160 | 1634-5495 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-volume-2018-1-page-137?lang=en">https://shs.cairn.info/journal-volume-2018-1-page-137?lang=en</a> |
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