Franchissements et affranchissement dans la peinture espagnole du Siècle d’Or (notice n° 331795)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01857cam a2200253 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250118011325.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Le Corre-Carrasco, Marion |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Franchissements et affranchissement dans la peinture espagnole du Siècle d’Or |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 27 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cette étude, centrée sur la peinture du Siècle d’Or, propose de considérer le seuil comme creuset métapictural qui permet à l’artiste de se mettre en scène et d’inviter le spectateur à franchir puis dépasser le cadre bidimensionnel de la toile peinte, comme avec El pintor pobre de José Claudio Antolínez (1670) ou l’autoportrait de Bartolomé Esteban Murillo (1670). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This study, focused on the painting of the Golden Age, considers the threshold as a metapictorial crucible that allows the artist to stage himself and invite the viewer to cross and then go beyond the two-dimensional frame of the painted canvas, as with El pintor pobre, by José Claudio Antolínez (1670) or the self-portrait of Bartolomé Esteban Murillo (1670). |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Este estudio, centrado en la pintura del Siglo de Oro, propone considerar el umbral como un crisol metapictórico que permite al artista ponerse a sí mismo en escena e invitar al espectador a cruzar y luego ir más allá del marco bidimensional del lienzo pintado, como en El pintor pobre de José Claudio Antolínez (1670) o el autorretrato de Bartolomé Esteban Murillo (1670). |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | peinture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transgression |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | seuil |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transgression |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | threshold |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Bulletin Hispanique | 124-1 | 1 | 2022-07-25 | p. 189-196 | 0007-4640 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-bulletin-hispanique-2022-1-page-189?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-bulletin-hispanique-2022-1-page-189?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux