Plus nue qu’Isadora Duncan. La nouvelle danse russe après la révolution d’Octobre (notice n° 424947)
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| fixed length control field | 02486cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120215009.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Manko, Polina |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Plus nue qu’Isadora Duncan. La nouvelle danse russe après la révolution d’Octobre |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 59 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article aborde le rôle de la nudité sur scène dans l’émergence des modernités en danse, en se penchant plus particulièrement sur le contexte peu étudié de la Russie après la révolution d’Octobre 1917. À travers l’étude des discours et de la réception de l’œuvre de deux protagonistes de la « nouvelle danse » russe des années 1920, Kassian Goleïzovski et Lev Loukine, cette contribution interroge le sens que ces chorégraphes cherchaient à construire autour du dénudement de couple et de groupe sur scène. On montre que ce dénudement reflétait une rupture non seulement avec l’héritage impérial de la danse classique et ses relations genrées entre partenaires, mais aussi avec la « danse libre » introduite auparavant par Isadora Duncan lors de ses tournées dans le pays. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article addresses the role of nudity on stage in the emergence of modernities in dance, focusing in particular on the largely unexplored context of Russia after the October Revolution of 1917. By studying the discourses about and reception of the work of two protagonists of the Russian “new dance” of the 1920s, Kassian Goleizovsky and Lev Lukin, the article questions the meaning that these choreographers sought to construct around the nudity on stage of the couple and the group. This nudity reflected a break not only with the imperial heritage of classical dance and its gendered relationships between partners, but also the “free dance” introduced previously by Isadora Duncan during her tours in the country. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | danse moderne |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Russie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nudité sur scène |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | histoire culturelle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Isadora Duncan |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | révolution d’Octobre |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | October Revolution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Russia |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | modern dance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cultural history |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nudity on stage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Isadora Duncan |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Clio. Femmes, Genre, Histoire | 54 | 2 | 2022-05-09 | p. 143-156 | 1252-7017 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-clio-femmes-genre-histoire-2021-2-page-143?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-clio-femmes-genre-histoire-2021-2-page-143?lang=fr&redirect-ssocas=7080</a> |
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