De la « subversion sémiotique » comme mode d’existence matériel de la bande dessinée (notice n° 425941)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03163cam a2200301 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250120220903.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Robert, Pascal |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De la « subversion sémiotique » comme mode d’existence matériel de la bande dessinée |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2011.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 2 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméCet article se propose de considérer la capacité intrinsèquement subversive de la BD. Car il s’agit de son mode d’existence même, c’est-à-dire celui de sa matérialité. En effet, si la bande dessinée n’existe qu’inscrite sur la page, elle y creuse également un espace en profondeur et subvertit ainsi la page-surface. Or, cette profondeur relève de la perspective. Mais la bande dessinée multiplie les perspectives dans une même page au service de la narration, instrumentalisation qui vaut comme subversion de la perspective. Enfin, cette double subversion de la page et de la perspective entraîne une subversion du schéma actanciel : la page (et son réseau d’espaces) devient elle-même un actant à part entière, un actant de visibilité.Cette triple subversion, l’auteur la nomme « subversion sémiotique » de la bande dessinée. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Comic strips are intrinsically subversive. Due to their own materiality they rely on actual pages without which they do not even exist. Strips are not only a surface since each compartment/box/vignette digs out a perpendicular space as a perspective (a subversion of the classical page of words). On each page there is not only one perspective but a variety of them. They are a subversion of the classical perspective (based upon only one point of view). Another subversion is of the “schéma actantiel” which requires another “actant” to be viewed. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ResumenEl presente artículo propone considerar la historieta desde su carácter intrínsecamente subversivo. Dado que la historieta sólo existe a través su inscripción en la página, dicha subversión consiste en abrir una profundidad espacial que va más allá de la superficie de la página. La profundidad depende así de la perspectiva que -entre viñetas y globos de diálogo- es subvertida mediante la multiplicación de las perspectivas que ponen la página al servicio de la narración. La subversión doble de la página y de la perspectiva acarrea por último una subversión del esquema actancial de la historieta: la página (y su entramado de espacios) fungen como un actante de visibilidad. Para el autor, el modo de existencia de la historieta misma, aquel que implica su materialidad, es consubstancial a esta triple “subversión semiótica”. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | perspective |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subversion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | narration |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | schéma actanciel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | matérialité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | perspective |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | subversion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | story telling |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | materiality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | author system |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Communication & langages | 167 | 1 | 2011-03-01 | p. 53-71 | 0336-1500 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-communication-et-langages1-2011-1-page-53?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-communication-et-langages1-2011-1-page-53?lang=fr&redirect-ssocas=7080</a> |
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