En entrant dans la salle obscure (notice n° 441638)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 03403cam a2200301 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121005055.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Loncan, Anne |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | En entrant dans la salle obscure |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2017.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 28 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cinépsy a fêté son 10ème anniversaire. Ces Rencontres internationales de psychanalyse familiale associent des études de psychanalytiques et cinématographiques après la projection de multiples films sélectionnés sur un thème unique. L’auteur, co-fondatrice de cette manifestation, revient sur les raisons qui poussent des psychanalystes à voir dans ces films un matériel clinique virtuel mais analysable. Le jeu avec le temps et l’espace organisé par la mise en scène, le montage et ses ellipses, sollicite la réceptivité du spectateur, y compris sur un mode régressif, pour que soit créée l’illusion de la vie psychique. La dimension esthétique vient à l’appui du leurre dont chacun est dupe de son plein gré. L’analyse qui en est faite permet de se dessaisir de l’emprise parfois traumatique de certaines œuvres, tout en présentant un intérêt théorique et pédagogique. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | When entering the dark room Cinépsy celebrated its 10th anniversary. These International Conferences of Family Psychoanalysts bring together psychoanalytic studies and film critics after the projection of several films chosen on a unique theme. The author, co-founder of this event, reviews the reasons which incite psychoanalysts to see these films as virtual but analysable clinical material. The playing with time and space, organized by the staging, and the editing work with its ellipses, demands viewer’s receptivity, including in a regressive mode, in order to create the illusion of psychic life. The aesthetic dimension supports the lure, which is willingly experienced by everyone. Subsequent analyses allow the viewer to be removed from the sometimes traumatic hold of particular works, and at the same time have theoretical and pedagogical interest. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cinépsy cumplió 10 años. Estas reuniones internacionales del psicoanálisis de la familia combinen los estudios psicoanalíticos y de la pel ?cula después de la proyección de varias películas seleccionadas en un solo tema. El autor, co-fundadora del evento, habla de las razones por las que los psicoanalistas ven en estas películas un material clínico virtual, pero analizable. El jugar con el tiempo y el espacio organizado por la puesta en escena, el montaje elipses, requiere la receptividad del espectador, incluyendo en un modo regresivo, a fin de que se cree la ilusión de la vida psíquica. La dimensión estética es en apoyo del señuelo, cada uno se deja engañar voluntariamente. El análisis permite a renunciar a la empuñadura veces traumático para algunas obras, al tiempo que presenta un interés teórico y educativo. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | régression |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | psychanalyse familiale |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | illusion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | esthétique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | regression |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | illusion |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | family psychoanalysis |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aesthetics |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Le Divan familial | 38 | 1 | 2017-10-05 | p. 201-212 | 1292-668X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-le-divan-familial-2017-1-page-201?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-le-divan-familial-2017-1-page-201?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux