Pages, images, paysages (François Chauveau, Fables choisies mises en vers par M. de La Fontaine) (notice n° 448220)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02258cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121021247.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Leplatre, Olivier |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Pages, images, paysages (François Chauveau, Fables choisies mises en vers par M. de La Fontaine) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 66 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dans les éditions originales des Fables de La Fontaine, chaque apologue est habituellement précédé de sa gravure. François Chauveau a profité de cet emplacement privilégié qui fait se succéder le lisible au visible pour développer son univers graphique et imaginaire propre. Ainsi, appuyée en particulier sur un renforcement du cadrage qui confère à ses illustrations leur forte autonomie, la lecture de Chauveau procède d’une herméneutique originale qui met à distance, dépasse, oublie même éventuellement le sens moral ou allégorique de la fable. Ses compositions réagissent d’abord à la puissance d’image des récits inventés par La Fontaine et, singulièrement, aux suggestions de paysages qu’ils lui inspirent. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the original editions of La Fontaine’s Fables, each apologue is usually preceded by its engraving. François Chauveau took advantage of this privileged place which makes the legible and the visible succeed one another, to develop his own graphic and imaginary universe. Thus, based in particular on a strengthening of the framing, which gives his illustrations their strong autonomy, Chauveau’s reading proceeds from an original hermeneutics which distances, exceeds, and even forgets the moral or allegorical meaning of the fable. His compositions react above all to the image power of the stories invented by La Fontaine and, in particular, to the suggestions for landscapes that they inspire in him. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | paysage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | portrait |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cadre |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | figure |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dessin |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | drawing |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | portrait |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | figure |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | landscape |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | frame |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Dix-septième siècle | 289 | 4 | 2020-08-11 | p. 693-706 | 0012-4273 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-dix-septieme-siecle-2020-4-page-693?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-dix-septieme-siecle-2020-4-page-693?lang=fr&redirect-ssocas=7080</a> |
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