Cameras in the courtroom as a reflection of society (notice n° 455330)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01047cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121033554.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Humbert, Sylvie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Cameras in the courtroom as a reflection of society |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 81 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Court cases constitute ideal scenarios for the cinema. But all industrial, scientific or documentary films are works of fiction, in which the producer imposes his own vision of the facts, consciously or unconsciously. With the development of the first cinematographers, Méliès and Pathé, cinematographic censorship very soon made its appearance. Denouncing injustice, filming death live, looking horror in the face, all these images can be seen as either fear or seduction of society, as evidence or testimony, as spectacle or remembrance. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Les Cahiers de la Justice | o 1 | 1 | 2019-03-19 | p. 51-70 | 1958-3702 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-les-cahiers-de-la-justice-2019-1-page-51?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-les-cahiers-de-la-justice-2019-1-page-51?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux