The Style of the Worst: Lacan and Mallarmé (notice n° 479313)
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fixed length control field | 00908cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121065907.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Gascuel, Nils |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | The Style of the Worst: Lacan and Mallarmé |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2006.<br/> |
500 ## - GENERAL NOTE | |
General note | 42 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Lacan’s baroque style is often seen as a detail or a defect. If, however, we relate his style to Mallarmé’s, we find, on the contrary, that it corresponds to a plan to restore rights of expressiveness, constantly ridiculed by the privilege granted to signification in speech. Rhetoric is therapeutic (not the opposite) when it gives back the use of figures and semblance to the subject, which allow him to invent the depths of his desolation. |
786 0# - DATA SOURCE ENTRY | |
Note | Essaim | o 16 | 1 | 2006-04-13 | p. 111-128 | 1287-258X |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-essaim-2006-1-page-111?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-essaim-2006-1-page-111?lang=en&redirect-ssocas=7080</a> |
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