Calling a Spade a Spade: Allegorical Tools in the Pilgrimage of the Lyfe of the Manhode and Chaundler's Liber apologeticus (notice n° 481024)
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fixed length control field | 01234cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250121070435.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Bourgne, Florence |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Calling a Spade a Spade: Allegorical Tools in the Pilgrimage of the Lyfe of the Manhode and Chaundler's Liber apologeticus |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2013.<br/> |
500 ## - GENERAL NOTE | |
General note | 19 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The allegory in Guillaume de Digulleville’s Pèlerinages (1330-1358) is known to rely heavily on craftsmen’s tools —just as the medieval Sunday Christs extant in English and Alpine wall-paintings. In an illuminated copy of the Pilgrimage of the Lyfe of the Manhode, Labour the mat-maker, whose activity symbolizes the author’s industriousness, is given a spade as attribute, thus aligning with Ricardian authors’ humility topoi. In Thomas Chaundler’s Liber apologeticus (c. 1460), a spade is introduced in the allegorizing scheme, identifying mankind and Adam, but also hinting that the author hopes for “mediocre” perfection, in proto-Renaissance fashion. |
786 0# - DATA SOURCE ENTRY | |
Note | Études anglaises | 66 | 3 | 2013-10-01 | p. 323-340 | 0014-195X |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-anglaises-2013-3-page-323?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-anglaises-2013-3-page-323?lang=en&redirect-ssocas=7080</a> |
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