The vogue for abstract art in European Catholicism (notice n° 495012)

détails MARC
000 -LEADER
fixed length control field 00971cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121080204.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Bœspflug, François
Relator term author
245 00 - TITLE STATEMENT
Title The vogue for abstract art in European Catholicism
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2023.<br/>
500 ## - GENERAL NOTE
General note 65
520 ## - SUMMARY, ETC.
Summary, etc. Hasn’t Catholicism recently given in to the charm or recent socio-cultural prestige of abstract art? One wonders at the number of churches in Western Europe where the “white wall” has become the norm, if not the rule, sanctioned by church authorities bent on “modernity,” not to mention the number of church paintings and stained-glass windows that seem to follow the law or ideal of making bright colors triumph at the expense of identifiable religious figures or iconographic subjects.
786 0# - DATA SOURCE ENTRY
Note Études | April | 4 | 2023-03-17 | p. 91-100 | 0014-1941
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-etudes-2023-4-page-91?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-2023-4-page-91?lang=en&redirect-ssocas=7080</a>

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