Singularities and differences in pop music: Rethinking the term “world music” (notice n° 499416)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01208cam a2200181 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121081939.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Vargas, Herom |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Singularities and differences in pop music: Rethinking the term “world music” |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 100 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Pop music uses the term “world music” to classify the music made by those who are not located within the Europe/USA core. This article presents three approaches to reconsidering how the term is used: 1) rereading texts that discuss the subject, 2) identifying the historical narrative inequalities that permeate it on a global scale, and 3) undertaking an empirical analysis based on a cultural semiotics that is informed by poststructuralist and postcolonial methods. Together, these approaches provide a way of rethinking “world music” and its function from an aesthetic perspective. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Faria De Carvalho, Nilton |
| Relator term | author |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Chiachiri, Roberto |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Hermès, La Revue | o 86 | 1 | 2020-07-21 | p. 118-125 | 0767-9513 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-hermes-la-revue-2020-1-page-118?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-hermes-la-revue-2020-1-page-118?lang=en&redirect-ssocas=7080</a> |
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