Singularities and differences in pop music: Rethinking the term “world music”
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TexteLangue : français Détails de publication : 2020.
Ressources en ligne : Abrégé : Pop music uses the term “world music” to classify the music made by those who are not located within the Europe/USA core. This article presents three approaches to reconsidering how the term is used: 1) rereading texts that discuss the subject, 2) identifying the historical narrative inequalities that permeate it on a global scale, and 3) undertaking an empirical analysis based on a cultural semiotics that is informed by poststructuralist and postcolonial methods. Together, these approaches provide a way of rethinking “world music” and its function from an aesthetic perspective.
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Pop music uses the term “world music” to classify the music made by those who are not located within the Europe/USA core. This article presents three approaches to reconsidering how the term is used: 1) rereading texts that discuss the subject, 2) identifying the historical narrative inequalities that permeate it on a global scale, and 3) undertaking an empirical analysis based on a cultural semiotics that is informed by poststructuralist and postcolonial methods. Together, these approaches provide a way of rethinking “world music” and its function from an aesthetic perspective.
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