Introduction. Can the Popular Fit within Cultural Industries? (notice n° 540376)

détails MARC
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fixed length control field 01343cam a2200169 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121111630.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Djavadzadeh, Keivan
Relator term author
245 00 - TITLE STATEMENT
Title Introduction. Can the Popular Fit within Cultural Industries?
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2016.<br/>
500 ## - GENERAL NOTE
General note 61
520 ## - SUMMARY, ETC.
Summary, etc. The articles brought together in this volume examine the tension to the dominant culture within popular culture, seeking for continuously changing relationships caught between hegemonic processes (recuperation, commodification and normalization) and counterhegemonic dynamics (subversion, appropriation and recoding, emancipation). This article, rather than imposing a theoretical framework, seeks to review the state of the art in cultural theory. Articulated around key concepts such as hegemony or popular, it highlights the possible dialogue between several theoretical traditions, from Pierre Bourdieu, Claude Grignon and Jean-Claude Passeron’s sociology of culture to cultural studies. This volume also intends to make a modest contribution to the French cultural studies ongoing literature.
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Raboud, Pierre
Relator term author
786 0# - DATA SOURCE ENTRY
Note Raisons politiques | o 62 | 2 | 2016-06-20 | p. 5-20 | 1291-1941
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-raisons-politiques-2016-2-page-5?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-raisons-politiques-2016-2-page-5?lang=en&redirect-ssocas=7080</a>

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