When is a product of the culture industry a “political work”? (notice n° 548220)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01158cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121115139.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Esquenazi, Jean-Pierre |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | When is a product of the culture industry a “political work”? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2011.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 43 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In this article, the author first reminds us of the barrier that has long separated the legitimate arts from the industrial arts, and has precluded the products of the latter being considered in political terms. Today, the study of “media cultures” seems to be reaching maturity, and new questions are ushering in new problems, notably on the potential political role of television series and performers, among others. Inspired by the work of Stuart Hall, Stanley Fish, and Judith Butler, the article proposes that a cultural object be seen to play a political role only if an interpretive community attributes such a role to it in a specific social context. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Réseaux | o 167 | 3 | 2011-06-01 | p. 189-208 | 0751-7971 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-reseaux-2011-3-page-189?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-reseaux-2011-3-page-189?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux