Autopsy of an attempt to emancipate the market (notice n° 554107)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01189cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121121406.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Cuffolo, Raphaël |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Autopsy of an attempt to emancipate the market |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 40 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The music industry is currently characterized by an oligopolistic concentration of big names. Facing a fragmented market disrupted by technological innovation, record companies, historically seen as intermediaries, merged into huge conglomerates. Those new entities were considered by some consumers and artists to be a threat to the diversity and authenticity of rock music. In this paper, we show how some artists tried to resist them. By claiming a radical shift in the mediation between artists and intermediaries, in particular through self-production, the punk music scene appeared to initiate a new and unconventional form of resistance. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Brée, Joël |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française de gestion | 294 | 1 | 2021-05-10 | p. 157-171 | 0338-4551 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-francaise-de-gestion-2021-1-page-157?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-francaise-de-gestion-2021-1-page-157?lang=en&redirect-ssocas=7080</a> |
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