The Evil Baal, the Asocial, and the Poetic in Brecht: (notice n° 570365)
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fixed length control field | 01150cam a2200157 4500500 |
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control field | 20250121131836.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Maier-Schaeffer, Francine |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | The Evil Baal, the Asocial, and the Poetic in Brecht: |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2004.<br/> |
500 ## - GENERAL NOTE | |
General note | 44 |
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Summary, etc. | Brecht’s fragments are neither traditional nor even fragments in the postmodern sense. Rather, they are the work of “the man who thinks while he walks and according to the truth of the walk” (Blanchot). It is not fortuitous that the great period of ideological and dramatic experiment in the second half of the 1920s, between the shock of the “big city” and the rise of Nazism, was a great period for fragments. This paper shows the importance of these fragments for understanding Brecht’s literary production as a whole through a reading of the fragment of the didactic play Der böse Baal der Asoziale. |
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Note | Revue de littérature comparée | o o 310 | 2 | 2004-04-01 | p. 189-205 | 0035-1466 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2004-2-page-189?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-de-litterature-comparee-2004-2-page-189?lang=en&redirect-ssocas=7080</a> |
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