The Painter in the Works of Peter Handke and Claude Simon: Heuristic Use of Detail (notice n° 571750)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01175cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121132303.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sarfati Lanter, Judith |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The Painter in the Works of Peter Handke and Claude Simon: Heuristic Use of Detail |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2016.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 57 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper will provide an analysis of the character of the painter in Peter Handke’s Mein Jahr in der Niemandsbucht and in Claude Simon’s Le Jardin des Plantes. In spite of their differences, both authors reflect upon their own poetics through painting, conceived as an aesthetic as well as an ethical model. The art of the painter provides a new way of understanding reality, for it focuses on the details of the perceptible and, by doing so, highlights and deepens our link to the world. But this focusing on the details also questions the limits of representation, and challenges the power of art and writing. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de littérature comparée | o 358 | 2 | 2016-11-14 | p. 208-220 | 0035-1466 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2016-2-page-208?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-de-litterature-comparee-2016-2-page-208?lang=en&redirect-ssocas=7080</a> |
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