Uses of fiction in Calderón’s allegorical drama (notice n° 572516)
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|---|---|
| fixed length control field | 01192cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121132553.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lochert, Véronique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Uses of fiction in Calderón’s allegorical drama |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 27 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Spain stands out from other European countries in the important development of religious allegorical drama in the seventeenth century. Calderón, the main author, adapted the subjects of several of his secular comedias into autos sacramentales. This practice allows us to study the uses of fiction in allegorical drama. This article analyzes the transformations undergone by the fictional characters and plots in the passage from the comedia to the auto and relates it to the internal theorization of the allegory developed by the auto. The importance of the theatrical medium tends, however, toward the deconstruction of allegory. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Teulade, Anne |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de littérature comparée | o 384 | 4 | 2023-09-21 | p. 464-479 | 0035-1466 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-de-litterature-comparee-2022-4-page-464?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-revue-de-litterature-comparee-2022-4-page-464?lang=en&redirect-ssocas=7080</a> |
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