From studio to museum, from garbage to collection (notice n° 586687)

détails MARC
000 -LEADER
fixed length control field 00886cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121143235.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Maréchal, Caroll
Relator term author
245 00 - TITLE STATEMENT
Title From studio to museum, from garbage to collection
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2024.<br/>
500 ## - GENERAL NOTE
General note 91
520 ## - SUMMARY, ETC.
Summary, etc. This article focuses on French museums’ recent interest in items that document the creative processes of graphic designers, in other words, archival elements from their studios. The new aesthetic value they have been given invites us to look back at how they were first placed in museums, and to question the “artwork” status accorded to these work-in-progress objects.
786 0# - DATA SOURCE ENTRY
Note Sociétés & Représentations | o 58 | 2 | 2024-09-25 | p. 205-216 | 1262-2966
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-societes-representations-2024-2-page-205?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-societes-representations-2024-2-page-205?lang=en&redirect-ssocas=7080</a>

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