Pulsion scopique en peinture : l’alibi du voyeur, le paravent du mythe (notice n° 672903)

détails MARC
000 -LEADER
fixed length control field 02702cam a2200277 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250121200445.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Etienne, Emilie
Relator term author
245 00 - TITLE STATEMENT
Title Pulsion scopique en peinture : l’alibi du voyeur, le paravent du mythe
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2018.<br/>
500 ## - GENERAL NOTE
General note 32
520 ## - SUMMARY, ETC.
Summary, etc. Vous en conviendrez, la peinture est d’abord une affaire pour les yeux. Par une gestation complexe, elle naît de l’imaginaire et demande à être regardée, plus encore quand elle accueille un nu. Seulement cela ne se fait pas sans un jeu de voile et d’opacité : les mises en scènes du mythe, les symboles, le filtre pictural mettent à distance quelque chose qui par son outrance doit rester caché et qui pourtant ne demande qu’à jaillir : la pulsion scopique. Le corps peint et la toile deviennent sous nos yeux des métaphores réciproques qu’il convient de saisir au vol et qui, par l’érotique du motif, mettent notre regard à l’épreuve de lui-même.
520 ## - SUMMARY, ETC.
Summary, etc. You will admit that painting is before anything a visual business. Through complex gestation, it is born from the imaginary and requires to be watched, even more so when it welcomes a nude. However, this does not happen without playing with veils and opacity: the stages of the myth, the symbols, the filter of the picture, all establish distance with something excessive that should remain hidden and still begs to spring out: the scopic impulse. The painted body and the canvas become under our eye reciprocal metaphors to catch as they fly by and which, through the erotism of the subject, challenge our vision itself.
520 ## - SUMMARY, ETC.
Summary, etc. Ne converrete, la pittura è prima un affare per gli occhi. Con una gestione complessa, nasce dall’immaginario e chiede di essere guardata, ancora di più quando accoglie un nudo. Ma tale operazione non si fa senza un gioco di veli e di opacità; le messinscene del mito, i simboli, il filtro pitturale, mettono a distanza qualcosa di eccessivo che deve rimanere nascosto e però non chiede altro che scaturire: la pulsione scopica. Il corpo dipinto e la tela diventano sotto i nostri occhi metafore reciproche che bisogna acchiappare al volo e che, con l’erotico del motivo, mettono il nostro sguardo alla prova di se stesso.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element mythologie
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element peinture
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element érotisme
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element pulsion scopique
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Scopic impulse
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element painting
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element mythology
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element erotism
786 0# - DATA SOURCE ENTRY
Note Imaginaire & Inconscient | 40 | 2 | 2018-04-26 | p. 23-33 | 1628-9676
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-imaginaire-et-inconscient-2017-2-page-23?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-imaginaire-et-inconscient-2017-2-page-23?lang=fr&redirect-ssocas=7080</a>

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