L’Académie d’opéras de Perrin et l’Académie royale de musique de Lully : des « connaisseurs » à l’entreprise (notice n° 725465)
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| fixed length control field | 02033cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123083001.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Nestola, Barbara |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L’Académie d’opéras de Perrin et l’Académie royale de musique de Lully : des « connaisseurs » à l’entreprise |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2024.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 11 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper examines the nature of the two institutions related to the birth of French opera: the Académie d’opéras, created by Pierre Perrin in 1669, whose privilege was bought by Jean-Baptiste Lully in 1672, founder of the Académie royale de musique. In the diversity of their functioning and their purpose, the two academies are the result of a crossover between the model of the Italian courtly opera, conceived by and designed for an elite—the “connoisseurs”—and new commercial requirements imposed by concerns of an entrepreneurial nature. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article interroge la nature des deux institutions liées à la naissance de l’opéra français : l’Académie d’opéras, créée par Pierre Perrin en 1669, dont Jean-Baptiste Lully rachète le privilège en 1672, fondant l’Académie royale de musique. Dans la diversité de leur fonctionnement et de leur finalité, les deux académies sont le fruit d’un croisement entre le modèle de l’opéra de cour de matrice italienne, pensé par et conçu pour une élite – les « connaisseurs » – et de nouvelles exigences commerciales imposées par une logique entrepreneuriale. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Autorité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Sociabilité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Académie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Opéra français |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Système de production |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Authorship |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Academy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | French opera |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Sociability |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Production system |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Littératures classiques | 113 | 1 | 2024-09-25 | p. 123-136 | 0992-5279 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-litteratures-classiques-2024-1-page-123?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-litteratures-classiques-2024-1-page-123?lang=fr&redirect-ssocas=7080</a> |
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