Midnight in the Garden of Good and Evil : parcours et détours du Sud (notice n° 855275)
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| fixed length control field | 02614cam a2200385 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123150749.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Liénard, Marie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Midnight in the Garden of Good and Evil : parcours et détours du Sud |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2009.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 11 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article se propose d'analyser la façon dont une même réalité factuelle (la ville de Savannah, ses habitants, un meurtre et les procès qui l'ont suivi) sont traités à la fois dans le best-seller de John Berendt et dans le film de Clint Eastwood. Les deux œuvres offrent des points de vue très différents sur le Sud des États-Unis. Le film, en particulier grâce à son utilisation du gothique et du grotesque et à la part qu'il accorde au surnaturel, participe de la Southernness de sa source d'inspiration autant qu'il l'élabore. Il s'inscrit dans ses paradoxes et son imaginaire en les recréant, et contribue finalement à " écrire le Sud ", selon l'expression du critique Richard Gray, c'est à dire à élaborer un Sud qui est tout autant un mythe qu'une entité géographique. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The article focuses on the way the same factual reality (the city of Savannah, its inhabitants, a famous murder trial) is dealt with in Midnight in The Garden of Good and Evil, the book by John Berendt and the movie by Clint Eastwood. The two works present different points of view on the American South while creating different Souths; the movie “Southernizes” Berendt’s approach to Savannah and its world, in particular through the use of Gothic and grotesque elements. Therefore, “ Midnight the movie” (as Eastwood puts it) should be seen as more than a filmic adaptation of a book, and engages in what Richard Gray calls the “process of writing the South”. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | représentation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Clint Eastwood |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Midnight in the Garden of Good and Evil |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | John Berendt |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Savannah |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | adaptation filmique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Sud des États-Unis |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | grotesque |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | gothique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Clint Eastwood |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Midnight in the Garden of Good and Evil |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | filmic adaptation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | John Berendt |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Savannah |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | gothic |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | representation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | American South |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | grotesque |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française d’études américaines | 120 | 2 | 2009-08-21 | p. 37-53 | 0397-7870 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-francaise-d-etudes-americaines-2009-2-page-37?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-d-etudes-americaines-2009-2-page-37?lang=fr&redirect-ssocas=7080</a> |
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