Chanter en polyphonie à Notre-Dame de Paris sous le règne de Philippe Auguste : un art de la magnificence (notice n° 862159)
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| fixed length control field | 02153cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123153128.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gross, Guillaume |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Chanter en polyphonie à Notre-Dame de Paris sous le règne de Philippe Auguste : un art de la magnificence |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2006.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 52 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RÉSUMÉ La polyphonie chantée au chœur de la nouvelle église de Paris à la fin du XIIe siècle a marqué son temps par son étonnante splendeur. Exécuté pour les grandes fêtes liturgiques de la cathédrale Notre-Dame, l’ organum est la marque distinctive d’une élite de clercs seuls capables de produire de telles compositions. Cet article montre une pratique musicale ancrée dans un contexte intellectuel alors propice à l’ ex tempore dicendi où l’apprentissage des techniques mémorielles, l’étude très poussée et le maniement virtuose de la langue latine sont au cœur du système éducatif. Des solistes émérites, rompus à la discipline intellectuelle de l’orateur, ont réussi à chanter de mémoire ces majestueuses fresques qui ont enflammé l’imagination des médiévaux. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ABSTRACT Polyphony at two, three and four voices was sung at the new church of Paris at the end of the XIIth century. The great organa were composed by a choice-part of clerics to celebrate the major feasts of the cathedral Notre-Dame. This study shows how the cantors were able to create by memory such noble compositions (tripla and quadrupla ). It explains a musical practice in his cultural context and the main things of mnemotechnics and Latin’s learning in medieval education. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Moyen Âge |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mémoire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musique polyphonique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Notre-Dame de Paris |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | rhétorique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Rhetoric |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Middle Ages |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Polyphonic Music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Notre-Dame of Paris |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Memory |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue historique | 639 | 3 | 2006-09-01 | p. 609-634 | 0035-3264 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-historique-2006-3-page-609?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-historique-2006-3-page-609?lang=fr&redirect-ssocas=7080</a> |
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